Featured Books > The Science and Engineering of Materials – Machine Books
The Science and Engineering of Materials;
A Theatre of Machine Books, 1472–1800.
Mark E. Andrews
An extraordinary survey of four centuries of machine books, tracing the evolution of printing techniques and draughtsmanship alongside the development of the machines themselves. In this catalogue of eighty-six works from his collection of books on civil engineering, Mark Andrews situates a series of landmark machine books within a broader context of related works and supplemental material.
Bibliophiles and technical researchers will discover a new approach to the subject material through the striking visuality of the work, with over three hundred lavish illustrations, portraits of key authors, and images of more than twenty-five bookplates from the collection. The glossary, illustrations, and contextual nature of the accompanying descriptions render The Science and Engineering of Materials an equally invaluable resource for non-technical readers, providing a highly accessible introduction to the world of machine books, an oft-elusively defined genre here described as ‘a form of literature that puts these machines on display to promote their use and guide technicians in their creation and application’.
Although the origin of the genre of machine books – which are ‘based in science but do not discuss scientific principles nor develop or discuss theory’ – is traditionally held to be either Georgius Agricola’s 1556 De re metallica or Jacques Besson’s 1578 Theatre des instruments mathematiques & mechaniques, Andrews begins with Valturio’s 1472 De re militari. In opening with a series of incunable works on the use of machines in siege warfare, Andrews traces the gradual shift in the function of machines from the military to the civil, developing a uniquely comprehensive timeline of the genre which is inextricably entwined with the history of the book.
Toronto: AE Publications, 2023. First Edition.
Hardcover with dust jacket, 9”x12” format; pp. ix, [1], 419, [3] with over 350 illustrations and 2 illustrated fold-out pages.
ISBN: 978-1-7779394-1-0
Standard and Deluxe editions are available for purchase in North America & the UK / Europe.
See links below for pricing & to purchase.
Won the Alcuin Society Book Design award (2023) – 1st place in the pictorial category.
Judges’ commentary: “Deeply thoughtful design choices celebrate incredible imagery in a book the judges summed up in a single word: breathtaking. The title-free cover pulls readers into an interior resplendent with two-colour text that shows command of the finer points of typography, such as text blocks that appear to be ragged by hand. The three-colour palette creates a calm consistency, and marginalia is presented in a way that encourages the close reading of every element.”
The Book Collector, volume 72, no. 4, Winter 2023
Through the writing and production of these wonderful books Mr. Andrews has definitively created a new way of appreciating and explaining rare books and manuscripts in the history of science and technology.
Reviews
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Mark Andrews states in his introduction to the first of these volumes that “Book collecting is not about accumulating. It is about creating something new by bringing together previously dispersed books. Often, it is not until those books start to come together that the new entity reveals itself; that is exactly the situation for this collection of Italian books related to rivers and hydraulics.” Through the writing and production of these wonderful books Mr. Andrews has definitively created a new way of appreciating and explaining rare books and manuscripts in the history of science and technology.
These two large quarto volumes are without doubt the most beautiful illustrated bibliographical works ever published on rare books in the history of science and technology. They are published in the style and format of artistic catalogues raisonnés. In addition to a profusion of exquisite color plates, emphasizing and portraying the full range of graphic detail of every book or manuscript they describe, they contain authoritative bibliographical information and scholarly annotations. And, as if all these features were insufficient, both volumes also include some large fold-out color plates. For both volumes Mr. Andrews also went to the trouble of providing explanatory maps, and definitions of technical terms for those without an engineering background.Nothing published previously on classic works concerning the history of science or technology compares favorably to these two volumes in terms of book design and production, and the way this is successfully integrated with bibliographical and historical scholarship. The only other work that approaches anywhere near them in quality and presentation was Alchemy and the Occult: A Catalogue of books and Manuscripts from the Collection of Paul and Mary Mellon Given to Yale University (4 vols, 1968-1977). However, the subject matter of that library is limited from the graphics point of view.
Prior to Mr. Andrews’s volumes (I hesitate to call them anything as modest as “catalogues”) emphasis in describing rare books in the history of science was always more on content rather than visual impact. Most typically a single illustration in a bibliographical catalogue had to suffice as a representative of a book that might contain 50 or more spectacular plates. Considering the amazing attention to visual as well as bibliographic detail devoted to each rare volume described and illustrated in each of the two books, perhaps it should not be surprising that the first volume of 419 large quarto pages covers only 308 printed books and maps, 23 bound manuscripts, and 36 manuscript drawings and maps. The second volume of essentially the equal size concerns itself with even fewer works—only 46 of the most famous engineering books. I should emphasize that the books described and illustrated are worth the attention they are given in these volumes, since they represent the greatest classics in their fields. One favorite of mine is the Andrews copy of the 1472 Valturio, De re militari, the first book on engineering or technology, followed in the Andrews library by a beautiful 1580 manuscript copy of the same text.
Rather than present a long list of the many highlights described and illustrated so magnificently in these two volumes, I would like to point out that in fifty years of reading and consulting virtually every bibliography and reference work ever published in the history of science and technology, and writing a few myself, I had never imagined bibliographical works as wonderful in all respects as these two volumes.
Credit for the spectacular design of these new publications goes to Lara Minja of Lime Design (Victoria). The amazing photographs, including artistic presentation of individual volumes or groups of rare books that are works of art in themselves, are credited to Gary William Ogle (Toronto). The Science and Engineering of Water was printed by Friesens, one of the finest of commercial book printers in Canada. The superb color printing of The Science and Engineering of Materials was executed by Type A Printers. The colophon of both volumes explains that these two volumes describe engineering treasures from the larger Andrews Collection of Civil Engineering. Having set such exquisite artistic and bibliographical standards in these first two performances, we may only hope for encores from Mr. Andrews.